Jaywon Sounds Off: Gospel and Afrobeats Artists Are Copying My Song!


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Gospel, Afrobeats artists copying my song – Jaywon claims

Jaywon Alleges Gospel and Afrobeats Artists Mimic His 2012 Hit “This Year”

Jaywon claims artists copying his song

Nigerian musician Jaywon has publicly accused both gospel and Afrobeats performers of replicating the style and essence of his breakthrough 2012 single, “This Year.” The singer expressed his frustration after Billboard omitted the track from its recent compilation of the Best Afrobeats Songs of All Time.

Jaywon Challenges Billboard’s Selection

Taking to his X (formerly Twitter) account, Jaywon emphasized the enduring influence and viral success of “This Year,” stating, “‘This Year’ by Jaywon has generated more viral moments and cultural resonance than several songs Billboard chose to feature.” He highlighted the song’s consistent popularity since its release over a decade ago, questioning which other track has maintained such longevity and impact.

He further remarked, “Year after year, artists from both gospel and Afrobeats genres emulate the vibe I created, yet my position remains unshaken. I’ve said it before and I’ll say it again: no song on that list surpasses the cultural significance of #ThisYear by Jaywon.”

Context: Billboard’s Top Afrobeats Songs List

According to reports from DAILY POST, the iconic track “African Queen” by 2Face Idibia secured the number one spot on Billboard’s recently unveiled Top 50 Best Afrobeats Songs of All Time. The list also features notable hits such as Wizkid’s “Ojuelegba,” Flavour’s “Nwa Baby,” Rema’s “Calm Down,” and CKay’s “Love Nwantiti,” rounding out the top five selections.

The Lasting Legacy of “This Year”

Since its release, “This Year” has become a cultural anthem, especially within Nigerian communities, often associated with hope and perseverance. Its influence extends beyond music, inspiring annual motivational campaigns and social media trends that celebrate resilience and optimism. Jaywon’s assertion underscores the song’s role in shaping contemporary Nigerian music and its ripple effect across genres.

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